3 Decades of Large Breasts: An American Obsession/Is she woman … or animal?/Fascination & Indifference
“Women are always complaining about men’s fascination with breasts. But what if men were absolutely indifferent to breasts? What would women do then with these things that serve one function once or twice in a lifetime, and the rest of the time are just in the way?”
Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World’s Largest Natural Breasts.
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Russ Meyer – Vixen
Is she woman … or animal?
Download Album Link: Russ Meyers ‘Vixen’ – Original Soundtrack
“Curves: The loveliest distance between two points.”
Jacques Henri Lartigue (June 13, 1894 – September 12, 986) was a French photographer and painter.
Born in Courbevoie (a city outside of Paris) to a wealthy family, he is most famous for his stunning photos of automobile races, planes and fashionable Parisian women from the turn of the century.
Although Lartigue occasionally sold his pictures to the press and exhibited at the Galerie d’Orsay alongside Brassaï, Man Ray and Doisneau, his reputation as a photographer was not truly established until he was 69, with a retrospective at the Museum of Modern Art in New York and the publication of a portfolio in Life. He now added his father’s first name to his own surname, becoming Jacques Henri Lartigue. Worldwide fame came three years later with his first book, The Family Album, followed in 1970, by Diary of a Century, conceived by Richard Avedon. In 1975 he had his first French retrospective at the Musée des Arts Décoratifs in Paris. For the rest of his life, Lartigue was busy answering commissions from fashion and decoration magazines.
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Click on Link to Download Soundtrack: The Voice of the Sparrow – Edith Piaf
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and the porn then was visceral, all meat and potatoes with a side order of meat/todays filth so clinical with rubbery cold flesh, astro glide, the smell of bleached surfaces and antibacterial hand gel/there is no vaginal discharge, stray hairs, wet pussys, just cold lube smeared on cold thighs sickly sweet/a machine pumping out dilated cunts and viagra engorged wangs.
and they asked buttman in a documentary about his fixation with anal, and he said that it was because it was ‘real’ that you get a ‘real’ reaction from the actress/and I like that, porn thats ‘real’/and rocco siffredi still holds the fort down/no antibacterial hand gel or viagra there/the last great porn auteur/dirty anal kelly in rome part 2 his citizen kane.
and I heard about a cocktail, called a mexican hooker, that consists of tequila, tuna brine and tabasco/and thought it sounded quite good/and talking of mexican hookers, if they all looked like jessica alba in the killer inside me/I’d be continually broke/and they don’t understand that casey affleck is the physically small, appearingly mild mannered psychopath that jim thompson captured and characterised in a lot of his books/and played it perfectly.
so enjoy the tattered magazine covers/ranging from sinister to hillarious/with wild typographic design/and semen glazed laminate/and the riz ortolani soundtrack/ecclectic sounds that somehow are never disjointed/so go get your gun and lets christen this evening
soundtrack: Cannibal Holocaust – Riz Ortolani
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“The universe is a big place, perhaps the biggest.”
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and it was a toss up between a collection of all those sticky sickly color climax magazine covers where the penises and vaginas all look red raw or these dusty old antique porn images/but it was my mood/and I was drawn to the breasts/the slightly sagging honesty of them/the backgrounds/shoes/and frilly things/lingerie from the the schizophrenic shufflings of a time machine with a mechanical hard-on/their expressions/the accessibility of their imperfection/and the regular beauty we get today so homogenous/with trimmed clams/and dull visits to the gym/the war on cellulite/and the ladies seem cool with it/cool that their bodies are so random and different/and so sexualised because of this/and I want something tangible/something real/ to eat the type of pussy you need to wipe your mouth with the back of your hand when shes done/all these ladies come hard all shaking thighs around your ears/no theatrics/and it makes me think of Kilgore Trout/and Ghostface/and ODB/wide open beavers/but the question is/not about the scattered time periods
soundtrack: Supreme Clientele – Ghostface Killah
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