Think while you shoot/Rant in E-Minor/Creationism
“You ever noticed how people who believe in Creationism look really unevolved? You ever noticed that? Eyes real close together, eyebrow ridges, big furry hands and feet. “I believe God created me in one day” Yeah, looks like He rushed it.”
Bill Hicks
“Think while you shoot”
Martin Munkácsi
Munkácsi was a newspaper writer and photographer in Hungary, specializing in sports. At the time, sports action photography could only be done in bright light outdoors. Munkácsi’s innovation was to make sports photographs as meticulously composed action photographs, which required both artistic and technical skill.
Munkácsi’s legendary big break was to happen upon a fatal brawl, which he photographed. Those photos affected the outcome of the trial of the accused killer, and gave Munkácsi considerable notoriety. That notoriety helped him get a job in Berlin in 1928, for the Berliner Illustrirte Zeitung, where his first published photo was a race car splashing its way through a puddle. He also worked for the fashion magazine Die Dame.
More than just sports and fashion, he photographed Berliners, rich and poor, in all their activities. He traveled to Turkey, Sicily, Egypt, London, New York, and famously Liberia, for photo spreads in the Berliner Illustrierte Zeitung.
The speed of the modern age and the excitement of new photographic viewpoints enthralled him, especially flying. There are aerial photographs; there are air-to-air photographs of a flying school for women; there are photographs from a Zeppelin, including the ones on his trip to Brazil, where he crosses over a boat whose passengers wave to the airship above.
On March 21, 1933, he photographed the fateful “Day of Potsdam”, where the aged President Paul von Hindenburg handed Germany over to Adolf Hitler. On assignment for the Berliner Illustrirte Zeitung, he photographed Hitler’s inner circle, ironically because he was a Jew and a foreigner.
In 1934, the Nazis nationalized the Berliner Illustrirte Zeitung, fired its Jewish editor-in-chief, Kurt Korff, and replaced its innovative photography with pictures of German troops.
Munkácsi left for New York, where he signed on, for a substantial $100,000, with Harper’s Bazaar, a top fashion magazine. Innovatively, he often left the studio to shoot outdoors, on the beach, on farms and fields, at an airport. He produced one of the first articles illustrated with nude photographs in a popular magazine.
His portraits include Katharine Hepburn, Leslie Howard, Jean Harlow, Joan Crawford, Jane Russell, Louis Armstrong, and the definitive dance photograph of Fred Astaire.
Munkácsi died in poverty and controversy. Several universities and museums declined to accept his archives, and they were scattered around the world.
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Constance Stuart Larrabee Photographs of African Tribes/Graucho and the Native Girls
“We took pictures of the native girls, but they weren’t developed. . . we’re going back next week.”
Groucho Marx
The English-born photographer Constance Stuart Larrabee is known for two distinct bodies of work: her black and white prints of South Africa’s tribal people (Zulu, Ndebele, Lovedu, Swazi, Sotho, Transkei, and Bushmen) – produced in the ’30s and ’40s – and her Life magazine-style photo-journalism in which she documented the liberation of Europe from the Nazis.
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Jacques Henri Lartigue’s Parisian Women/Curves/Mae West & Edith Piaf
“Curves: The loveliest distance between two points.”
Mae West
Jacques Henri Lartigue (June 13, 1894 – September 12, 986) was a French photographer and painter.
Born in Courbevoie (a city outside of Paris) to a wealthy family, he is most famous for his stunning photos of automobile races, planes and fashionable Parisian women from the turn of the century.
Although Lartigue occasionally sold his pictures to the press and exhibited at the Galerie d’Orsay alongside Brassaï, Man Ray and Doisneau, his reputation as a photographer was not truly established until he was 69, with a retrospective at the Museum of Modern Art in New York and the publication of a portfolio in Life. He now added his father’s first name to his own surname, becoming Jacques Henri Lartigue. Worldwide fame came three years later with his first book, The Family Album, followed in 1970, by Diary of a Century, conceived by Richard Avedon. In 1975 he had his first French retrospective at the Musée des Arts Décoratifs in Paris. For the rest of his life, Lartigue was busy answering commissions from fashion and decoration magazines.
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Bad Girls of the 50s/All-night Joints & All-night Dames/That Cool Cat From Not That Far Back Wants Hotdogs
The TRUCKS that hi-ball thru the night!
The ALL-NIGHT joints of dames and java!
The rough-tough guys and wide-eyed Dolls who get their kicks from BENZEDRINE!
and saturday night drinks in bars where all the ladies bad dentistry/dolphin and tribal tattoos adorn tired flesh/dirty flat beers with the best company/but me on the sleazier side of drunk/watching karaoke kings and queens/once upon a time I was falling in love/now I’m only falling apart/as the doors lock and the kerry katona iceland treats come out on paper plates/tandoori chicken bites and soggy goujons/the dirtiest tapas you ever saw disappear with drained pints of stale lager/and we three slip away/a blur of taxi rides through the misty streets/into the a.m./where dark rooms shuffle a sinister cabaret of shemales/fags in drag/and a muted hard-on in my trousers/and I can hear the static noise of drunk in my ears/playground legends just tourists in this grim safari/too drunk to be disgusted or to get my dick sucked in the back room/she says she wants it rough/for me to pull her hair/and call her a dirty slut/but that nausea I can’t shake/like the dirt in my belly I can never throw up hard or deep enough to get out/and breakfast fried plantain with scrambled eggs and peppers/and that cool cat from not that far back/wants hot-dogs
so
we
throw
them
in
the
pan
too
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Why Me and Greta Sleep in Separate Beds/In A Cadillac With Susan/Postcards from MGM
“every time you see a beautiful woman, just remember,
somebody got tired of her”
Clarence Sinclair Bull was born in Michigan but spent most of his life in Hollywood where he died in 1979. He was hired by movie mogul Sam Goldwyn in 1920 to photograph publicity stills of the studio’s stars. Four years later, when Metro-Goldwyn-Mayer was founded, Bull was appointed as the head of their stills department where he remained throughout his career. During that time he took portraits of the most celebrated Hollywood film stars, however, he is particularly known for his photographs fo Greta Garbo who was almost exclusively photographed by Bull from 1921 to 1941.
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Nighthawks at the Diner – Tom Waits
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